Narcissistic Narrative: The Metafictional Paradox. Waterloo: Wilfrid Laurier U.P., 1980. New edition, London & New York: Methuen, 1984.
Formalism and the Freudian Aesthetic: The Example of Charles Mauron. London & New York: Cambridge U.P., 1984.
A Theory of Parody: The Teachings of Twentieth-Century Art Forms. London & New York: Methuen, 1985.
A Poetics of Postmodernism: History, Theory, Fiction. London & New York: Routledge, 1988.
The Canadian Postmodern: A Study of Contemporary English-Canadian Fiction. Toronto: Oxford U.P., 1988.
Leonard Cohen and his Writing. Toronto: ECW Press, 1989.
The Politics of Postmodernism. London & New York: Routledge, 1989.
Splitting Images: Contemporary Canadian Ironies. Toronto: Oxford U.P. 1991.
Irony’s Edge: The Theory and Politics of Irony. London & New York: Routledge, 1994.
(with Michael Hutcheon). Opera: Desire, Disease, Death. Lincoln: Nebraska U.P., 1996.
(with Michael Hutcheon). Bodily Charm: Living Opera. Lincoln: Nebraska U.P., 2000.
(with Michael Hutcheon). Opera: the Art of Dying. Cambridge: Harvard University Press, 2004.
Double-Talking: Essays on Verbal and Visual Ironies in Contemporary Canadian Art and Literature. Toronto: ECW Press, 1992.
Other Solitudes: Canadian Multiculural Fictions. Edited with M. Richmond Toronto: Oxford U.P., 1990.
A Postmodern Reader. Edited with J. Natoli. Albany: State University of New York Press, 1993.
Rethinking Literary History: a dialogue on theory. Edited with Mario J. Valdés. New York: Oxford University Press, 2002.
Linda Hutcheon has also published many articles in academic journals, essays and chapters in books.
Updated February 12 2015 by Student & Academic Services